Cellist Matthias Balzat Returns to NZ with NZTrio for Tour

Cellist Matthias Balzat has returned to New Zealand to join the NZTrio for a significant tour following his recent relocation from Dusseldorf, Germany. This move comes after he took over the position previously held by Ashley Brown earlier this year. Balzat’s admiration for his new colleagues, Somi Kim and Amalia Hall, and their commitment to promoting contemporary works influenced his decision to join the trio permanently next year.

Currently, Balzat is part of the NZTrio’s “Hypnotique” tour, showcasing their final programme for 2025. He moved back to Auckland in August but has been busy touring Australia before this New Zealand leg of performances. “I hope to enjoy some quality time with family and friends after the tour concludes,” he said.

Reflecting on his time in Dusseldorf, Balzat described it as an “extraordinary time,” both musically and culturally. He had the opportunity to engage closely with his professor, which allowed him to develop his performance skills significantly. One standout moment was performing the Britten Cello Symphony with a German orchestra in January, which felt particularly nostalgic as he prepared to return home.

Balzat’s musical journey began at the age of three, encouraged by his mother, a piano teacher who instilled a strong musical foundation in all seven of her children. His early years were filled with folk and Celtic music, which fostered a deep appreciation for the cello. “My mother was a bit of a superwoman,” he remarked, praising her dedication to his and his siblings’ musical education.

Though the cello was a chosen path, Balzat has always embraced the challenges of mastering the instrument. He explained, “It’s a fascinating connection to human nature…expressing something in a musical language represents the human heart in an organic way.” By age 13 or 14, he recognized that pursuing music professionally was his calling.

After completing high school, Balzat moved to Hamilton to study with his violinist sister and quickly gained admission to university at the young age of 14. His time at Waikato University was marked by numerous accolades, including the New Zealand National Concerto Competition and the Creative Performing Arts Person of the Year award.

His decision to continue studies in Europe led to performances with various orchestras, including the Harbin Symphony and the Neue Philharmonie-Westfalen. Balzat has also secured victories in international competitions such as the International Wallace Cello Competition and the Schoenfeld International Cello Competition.

Currently, he has left his cello in Europe to facilitate travel for upcoming NZTrio commitments. “It certainly makes it more practical for me to travel a little bit more lightly packed,” he noted, sharing how he has adapted to long flights and the need for rest during his travels.

Balzat has enjoyed performing in both symphonic and chamber settings, appreciating the intimate dynamics of smaller groups. He believes that solo performances allow for a deeper focus on the instrument, which fascinates him. “The music that represents human emotions…tends to draw my attention,” he stated, expressing a preference for repertoire that resonates with heartfelt expression.

In addition to classical works, Balzat is enthusiastic about contemporary music. He sees the exploration of new compositions as essential and exciting. Preparing for each performance involves mental and physical readiness, with a strong belief in the benefits of spending time in nature to inspire creativity.

As he prepares for the NZTrio’s next concert, Balzat is excited about the opportunity to reconnect with New Zealand’s rich landscapes and culture. “New Zealand’s inspiring environment and wonderful people serve as a force for positive motivation,” he remarked, emphasizing the importance of home in his artistic journey.

The NZTrio’s “Hypnotique” performance will take place at the Dunedin Public Art Gallery on March 16, 2025, at 19:00. Balzat’s return marks a new chapter in his career, and he looks forward to continuing to make music that resonates with audiences both in New Zealand and abroad.