Māori Theatre Explores Justice System in New Play “Out the Gate”

Te Rākau Theatre is showcasing a new production, Out the Gate, which addresses the pressing issues surrounding incarceration in Aotearoa (New Zealand). The play, written by Helen Pearse-Otene, is currently touring and will be performed at Massey University in Wellington from November 12 to 15, 2023. This theatrical piece aims to initiate conversations about the impacts of incarceration on Māori communities and the broader societal context.

Integrating Research and Theatre

Out the Gate is part of the TIAKI initiative, a public health research project focused on the adverse effects of incarceration on the health and wellbeing of Māori, their families, and the community at large. For the past three years, the project has involved collaboration with the Eru Pomare Centre at Otago University and the Tū Kotahi Māori Asthma Trust. Through a combination of literature reviews, statistical analysis, and interviews with individuals who have experienced the justice system, the research findings are being disseminated through various platforms, including publications, a podcast, and now, this innovative play.

Pearse-Otene emphasizes the importance of having ensemble members who have lived experience of the justice system. “They’re the ones who get to tell me if the script is rubbish,” she remarked, highlighting the collaborative nature of the project.

Thematic Depth and Community Engagement

The play addresses difficult themes such as colonization, trauma, and social justice while seeking to balance these with messages of hope. Pearse-Otene describes her work as an intersection of theatre, psychology, and kaupapa Māori health, all of which focus on understanding reality and human experiences of suffering and healing.

The TIAKI study investigates not only the causes of intergenerational incarceration but also offers community-driven alternatives to reduce recidivism. Pearse-Otene hopes that the play reflects insights from the community interviews, thus providing a platform for real dialogue on these issues.

After each performance, audiences are encouraged to engage in post-show discussions, which Pearse-Otene views as an extension of the theatrical experience. “If people leave the show thinking that the price of admission was worth it, then I’m happy,” she stated, illustrating her commitment to audience engagement.

Helen Pearse-Otene also shared a personal insight, revealing her involvement with the Sanditon Sisterhood, a global fan group advocating for the renewal of the TV show Sanditon. This connection, she noted, helped her cope during lockdowns and showcases her diverse interests beyond the realm of theatre.

Out the Gate not only serves as a work of art but also as an essential dialogue piece that aims to transform community perspectives on the justice system. Through this innovative approach, Te Rākau Theatre is paving the way for more inclusive narratives within the performing arts, ensuring that critical conversations around incarceration are brought to the forefront.