Māori-Led Play ‘Out the Gate’ Sparks Discussion on Justice

Theatre enthusiasts and advocates for social justice are set to engage in critical conversations as the new play Out the Gate tours New Zealand. Written by Helen Pearse-Otene, a psychologist and theatre practitioner, the production examines the complex issues surrounding incarceration in Aotearoa. The play will be performed at Massey University in Wellington from November 12 to 15, 2023.

Exploring Incarceration Through Theatre

Out the Gate is a product of the TIAKI project, a public health initiative investigating the adverse impacts of incarceration on the health and wellbeing of Māori and their communities. Over the past three years, Pearse-Otene has collaborated with the Eru Pomare Centre at Otago University and the Tū Kotahi Māori Asthma Trust to analyse literature, statistical data, and interviews with individuals who have firsthand experience with the justice system.

This theatrical work embodies the concept of theatre marae, which merges traditional Māori performing arts with contemporary theatre. It serves as a decolonising strategy that addresses themes of colonisation, trauma, and social justice through a creative lens. Pearse-Otene emphasises that the play aims to honour Māori expressions and narratives while engaging audiences in meaningful dialogue.

Community Voices at the Heart of the Narrative

In developing the script, Pearse-Otene has ensured that those with lived experience of the justice system have a significant voice in the process. She notes, “They’re the ones who get to tell me if the script is rubbish.” This collaborative approach highlights the importance of authenticity and representation in storytelling, particularly on topics that deeply affect Māori communities.

The play tackles challenging themes yet offers an underlying message of hope. Pearse-Otene reflects, “The TIAKI study examines the drivers for intergenerational incarceration and presents community-derived alternatives to address recidivism.” By centering the narrative around community interviews, the production aims to reflect the realities of those affected while simultaneously presenting pathways to healing.

After each performance, audiences are invited to engage in discussions about the themes presented. Pearse-Otene envisions these conversations as extensions of the performance, allowing patrons to analyse the research and share their insights. “If people leave the show thinking that the price of admission was worth it, then I’m happy,” she adds.

In a light-hearted moment, Pearse-Otene reveals a personal passion that may surprise many: her involvement in the Sanditon Sisterhood, a global fan group advocating for the renewal of the TV show Sanditon after its cancellation. She credits the community with helping her through challenging times during the lockdown.

As Out the Gate embarks on its tour, it stands as a testament to the power of theatre as a tool for social change, inviting audiences to reflect on significant issues while fostering dialogue about justice and healing within Māori communities.