Māori-Led Theatre ‘Out the Gate’ Explores Incarceration Issues

A new theatrical work titled Out the Gate, written by Helen Pearse-Otene, is currently touring New Zealand, addressing the complexities of incarceration in Aotearoa. The play, which will be performed at Massey University in Wellington from November 12–15, 2023, serves as a platform for Māori-led conversations about justice and the impact of imprisonment on the community.

Out the Gate is a product of Te Rākau Theatre, an organization that has been at the forefront of Māori performing arts since its inception in 1999. The work is framed within the concept of theatre marae, which merges traditional Māori performing arts with modern applied theatre. This approach is designed to decolonize the narrative surrounding incarceration, addressing issues of trauma and social justice through a culturally engaged lens.

The play is part of the TIAKI project, a research initiative focusing on the adverse effects of incarceration on the health and wellbeing of Māori communities. Collaborating with the Eru Pomare Centre at Otago University and the Tū Kotahi Māori Asthma Trust, Pearse-Otene and her team have spent three years gathering data through literature reviews, statistical analysis, and interviews with individuals who have experienced the justice system firsthand.

Helen Pearse-Otene, who identifies as Rongomaiwahine, Ngāti Kahungunu, Ngāpuhi, Te Rarawa, Ngāti Kuri, and Ngāti Ruanui, emphasizes the importance of involving those with lived experiences in the creative process. “They’re the ones who get to tell me if the script is rubbish,” she said, highlighting the collaborative nature of the production.

The intersection of Pearse-Otene’s background in theatre, psychology, and kaupapa Māori health reflects a commitment to understanding human suffering and promoting healing. The play tackles challenging themes, yet it also conveys a message of hope. “The study not only examines the drivers of intergenerational incarceration but also presents community-derived alternatives to address recidivism,” she remarked.

Following each performance, audiences are encouraged to engage in discussions that extend the themes explored in the play. Pearse-Otene hopes spectators will analyze the research findings and reflect on the narratives presented. “If people leave the show thinking that the price of admission was worth it, then I’m happy,” she added.

In a personal revelation, Pearse-Otene shared her involvement with the Sanditon Sisterhood, a global fan group dedicated to campaigning for the revival of the TV show after its cancellation. This experience, she noted, helped her navigate the challenges of lockdown.

With Out the Gate, Pearse-Otene aims to foster a deeper understanding of the impacts of incarceration on Māori communities, creating a space for reflection and dialogue through the powerful medium of theatre. As the production continues its tour, it promises to resonate with audiences, sparking vital conversations about justice and community resilience.