MĀ Takes Center Stage: Musician Embraces Joy in New Album

Musician MĀ, born Maarire Brunning-Kouka, is stepping into the spotlight with a new album that focuses on joy, reflecting a significant shift from her previous work. The 29-year-old artist, who has made her mark as a bilingual rapper and spoken word poet, is also taking on the role of sound designer for her father’s play, Waiora Te Ūkaipō, a piece that has deep personal resonance for her family.

Growing up in a theatrical environment, MĀ often found herself in the wings of a darkened theatre, watching her mother, the late Nancy Brunning, perform. This month, she returns to that same stage not just as an observer but as a creator, contributing her artistic skills alongside her father, acclaimed playwright Hone Kouka. The play, which explores the impact of urban drift in Aotearoa during the 1960s, is infused with family history and emotional depth.

MĀ reflects on her mother’s spirit, stating, “I haven’t yet heard her come through, which cracks me up because usually she’d be very loud.” This connection to her past is a driving force in her current work, as she balances the weight of family legacy with her own artistic journey.

Having released two acclaimed albums, Breakfast With Hades in 2021 and Blame It On The Weather in 2022, MĀ’s music has often been steeped in themes of grief and socio-political commentary. Her upcoming album marks a departure; she aims to explore themes of happiness and light. “I’m going for happiness and light, which is not what I’m used to,” she explains.

In addition to her musical pursuits, MĀ works as a biodiversity ranger in Porirua, a role that grounds her and feeds her creativity. “I need to be on this whenua,” she emphasizes, highlighting the importance of nature in her life and art. The sounds of the forest and the rhythms of her everyday work often weave their way into her music, creating a rich tapestry of inspiration.

While she acknowledges the pressures of the music industry, MĀ has formed a collective with fellow artists to support one another in navigating its challenges. “It takes a whole tribe to be an artist,” she asserts, emphasizing the importance of community in a landscape that can feel isolating.

MĀ’s passion for storytelling is evident in her music, which often incorporates te reo Māori. She believes that the essence of her messages transcends language barriers, making her work accessible to a wider audience. “Art and music is my safe place to be angry and to feel these emotions,” she notes, inviting others to use creative expression as a tool for understanding and articulating their feelings.

The revival of Waiora Te Ūkaipō is timely, as MĀ points out that the themes it explores remain relevant today. The play returns to the stage from February 27-28, 2024, at the Opera House in Wellington, and will be featured in the Aotearoa New Zealand Festival of the Arts alongside her own performances.

Reflecting on her journey, MĀ acknowledges the influence of her parents, both prominent figures in the arts scene. “If they taught me anything, it’s to go hard or stay home,” she says, determined to carve her own path while honouring her family’s legacy.

As she prepares for these upcoming performances, MĀ embodies the spirit of resilience and creativity, using her art to connect with her roots and inspire others. Through her music and contributions to theatre, she continues to honour her past while forging a vibrant future.