New Horror Film “Went Up the Hill” Sparks Mixed Reactions

The new horror film, Went Up the Hill, directed by Samuel Van Grinsven, has generated a range of reactions since its release. Set against the stunning backdrop of Te Waipounamu in New Zealand, the film presents a story of family, loss, and the supernatural, but its execution has left some viewers divided.

The narrative begins at a modern mansion situated high on a hill, overlooking a frozen lake. The house, with its sleek concrete and stone architecture, reflects affluence and serves as the setting for a memorial service for a recently deceased woman named Elizabeth. As mourners gather, her estranged son Jack, who now resides in Australia, attempts to join the service but is met with hostility due to his complicated relationship with his mother. The reasons behind Elizabeth’s estrangement from Jack are not fully explored, leaving audiences to ponder their implications.

As the film progresses, Jack stays at the mansion along with Elizabeth’s widow, Jill, who appears to be significantly younger than her late spouse. The story hints at supernatural elements, suggesting that Elizabeth’s ghost lingers in the house, desiring to connect with Jill through Jack. This setup lays the groundwork for what could have been a compelling horror experience.

However, the film’s narrative becomes increasingly convoluted. Elizabeth seeks to enact her unfinished business by possessing both Jack and Jill, leading to a series of confusing and intimate encounters. The dynamics shift as Jack, who identifies as gay, and Jill navigate their relationship amidst the chaos of possession. The film’s tone oscillates between horror and dark comedy, which may not resonate with all viewers.

Despite its narrative shortcomings, Went Up the Hill is visually striking. The cinematography, crafted by award-winning Tyson Perkins, elevates the film’s aesthetic appeal. The performances by Dacre Montgomery and Vicky Krieps are noteworthy, as they manage to extract genuine emotion from a script that often veers into the absurd.

The film prompts viewers to question whether its artful ambiguity serves a purpose or simply adds to the confusion. The line between profound and unintentionally comedic is thin, and the audience’s interpretation may vary widely. Attendees are encouraged to watch Went Up the Hill and form their own opinions on its merits.

Currently, Went Up the Hill (R16) is screening in select cinemas across New Zealand, inviting audiences to experience its unique blend of horror and dark humor.