Maori-Led Theatre ‘Out the Gate’ Explores Incarceration Issues

A new theatrical production titled Out the Gate is currently touring Aotearoa, with performances scheduled at Massey University in Wellington from November 12–15, 2023. This innovative work, led by Helen Pearse-Otene, a psychologist and theatre practitioner, focuses on the complex issues surrounding incarceration and its impacts on Māori communities.

Pearse-Otene, who has been integral to Te Rākau Theatre since 1999, describes Out the Gate as a significant conversation starter about the challenges faced by those affected by the justice system. The play is part of the TIAKI public health research project, which examines the adverse effects of incarceration on the health and well-being of Māori, their families, and the broader community.

Insights from Research and Collaboration

The development of Out the Gate involved extensive collaboration with the Eru Pomare Centre at Otago University and the Tū Kotahi Māori Asthma Trust. For the past three years, the team has analyzed literature, statistical data, and interviews with individuals who have firsthand experience with the justice system. The findings from this research are disseminated through various channels, including publications, a podcast, and the theatre production itself.

Pearse-Otene emphasizes the importance of incorporating voices from the community, stating, “They’re the ones who get to tell me if the script is rubbish.” This inclusive approach ensures that the play resonates with those who have lived through the challenges it portrays.

Balancing Difficult Themes with Hope

The themes addressed in Out the Gate are undeniably tough, yet Pearse-Otene aims to convey a message of hope. The TIAKI study not only explores the factors contributing to intergenerational incarceration but also presents community-driven alternatives to reduce recidivism. She expresses a desire for the play to reflect the insights gained from community interviews, ultimately fostering a dialogue about potential solutions.

In discussing audience engagement, Pearse-Otene envisions the post-show discussions as an extension of the performance. She hopes attendees will leave with a sense that their experience was valuable, stating, “If people leave the show thinking that the price of admission was worth it, then I’m happy.”

While Helen Pearse-Otene is known for her work in theatre and psychology, she also has a personal passion for fan engagement. She reveals a lesser-known fact about herself: her involvement with the Sanditon Sisterhood, a global fan group that campaigned for the revival of the TV show after its cancellation.

As Out the Gate continues its tour, it stands as a powerful testament to the intersection of art, community, and social justice, bringing vital conversations about incarceration to the forefront of public discourse.